Hand-finished hardwood frames with archival mats and crystal-clear glazing. No plastic, no shortcuts. Four finishes, square corners, ready to hang.
Every frame is hand-finished in our studio. Profile: ¾ in face, 1¼ in depth.
Warm honey grain
Deep chocolate
Painted hardwood
Softly grained
Every detail, on the record.
| Moulding | Solid hardwood, 0.75 in face × 1.25 in depth |
|---|---|
| Origin | Hand-finished in our India studio |
| Mat | Cotton-rag museum board, acid-free, bevel-cut |
| Glazing | Non-reflective acrylic (default) or UV glass |
| Backing | Archival foam board, sealed with linen tape |
| Hardware | Wire + D-rings pre-installed |
A few recent orders. Real photography lands when our gallery's ready.
A small sample, unedited.
I've ordered from the big-box sites for years and the frames always feel cheap. This one weighs something. The grain is visible. Totally different category.
Tight corners, clean bevel, zero gap. The cream mat makes the image feel like a page in a book.
Seven days is longer than I'd normally wait, but opening the box was worth it. Felt like a small event.
Yes. Every frame ships with a wire, D-rings, and instructions. Up in about 90 seconds.
The default acrylic has a light anti-reflective coating — great for most walls. If you have strong direct light, upgrade to UV glass for near-zero glare.
Yes. A mat gives the print room to breathe and is what galleries default to, but a no-mat frame reads more contemporary. Both look sharp.
Every frame ships rigid-packed with corner protectors. We use acrylic glazing by default for sizes ≥ 16×20 to eliminate breakage in transit.
